I personally found the films of 2011 to be mediocre compared to the last few years. Of the following ten selections, only three received 10/10 ratings (one of which was released in a limited run in 2010, which means almost no one else will consider it a 2011 film), and one of my choices only mustered a 6/10. Nonetheless, here are my picks for the best 2011 had to offer. The graphics this year are a custom-made tribute to Moneyball's baseball elements, which I'm more proud of than the list itself. Enjoy!
This complex and occasionally confusing thriller redefines what being a spy is all about. There are guns, but "Q" never makes an appearance to deliver macho, technologically advanced weaponry. Instead, we're left with realistic, disturbing and tense life-or-death sleuthing by the superbly versatile Gary Oldman.
Click HERE to read the review of Tinker Tailor Soldier Spy
It's not terribly intelligent, nor is the idea completely unique. But there's something undeniably amusing about Jennifer Aniston in a naughty, cast-against-type persona and Colin Farrell as a balding cokehead (remember Tom Cruise in Tropic Thunder?). And while the three lead characters (Jason Bateman, Charlie Day and Jason Sudeikis) are always humorous, it's supporting parts like Jamie Foxx as "Muthaf*cka" Jones that present extra memorable giggles.
Click HERE to read the review of Horrible Bosses
Although it didn't receive a very wide release in the United States, this British import is truly worthwhile. Stylish and highly creative, it spoofs the slew of alien invasion movies of late, with its share of genuine thrills and hilarious dialogue. Plus, it has Nick Frost as - what else? - a marijuana grower.
Click HERE to read the review of Attack the Block
Brett Ratner has a decent comedy repertoire with his Rush Hour trilogy. After experimenting with the third X-Men film and a couple of TV projects, Tower Heist is a spectacular return to the kinds of features that he knows how to handle - ones with a wisecracking, loud-mouthed sidekick and plenty of colorful comedy relief supporting roles. The conclusion is also a nice surprise, deviating from the predictable outcome of most cookie-cutter formulas.
Click HERE to read the review of Tower Heist
It's undeniably manipulative and continually going for tearjerker moments. But young Thomas Horn in the lead role is convincing and enjoyable as a different kind of hero, and Max von Sydow is simply sensational without ever speaking a word of dialogue. Touching, sad and hopeful all at the same time.
Click HERE to read the review of Extremely Loud and Incredibly Close
The last couple of Shrek films have been nearly indistinguishable, so it's gratifying to see a purely comedic side character get his own spinoff. And despite having no cameo by the famous green ogre, Puss in Boots handles himself admirably in the spotlight in an adventure that's designed entirely for fun.
Click HERE to read the review of Puss in Boots
While The Illusionist had a limited qualifying run for Academy Award consideration in 2010, it didn't get a wider US release until early 2011. Therefore it deserves recognition again for its simple beauty, singular animation design, and moving story of change and perseverance.
Click HERE to read the review of The Illusionist
The Guard is another unexpected delight, a foreign film from Ireland reminiscent of In Bruges. It has equal wit, sarcasm and politically incorrect veracity, along with the inimitable Brendan Gleeson eating up the screen as the last cop with a conscience. This flick is chock-full of crassness and badassness.
Click HERE to read the review of The Guard
George Clooney once again proves himself a master filmmaker, taking on multiple tasks including directing, producing, starring and writing. This time, he takes a smaller acting role to concentrate on the direction, giving star Ryan Gosling (who also performs smartly in this year's Drive) a moment to shine as a rapidly corrupting political campaign staffer. An all-star supporting cast brings together Paul Giamatti, Philip Seymour Hoffman, Marisa Tomei, Jeffrey Wright and more.
Click HERE to read the review of The Ides of March
The Artist is not only the best film of the year, it's the best film of the year by a landslide. There might as well not be a second place or even a top ten. This black-and-white silent film is utterly refreshing, demonstrating that movie magic still exists, without the need for special effects, 3D graphics, ear-shattering sounds, bloody violence, vulgar language, full frontal nudity, or controversial themes. This is supreme entertainment.
Click HERE to read the review of The Artist
- Mike Massie
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